The poet, Plato writes in Phaedra, “clothes all the great deeds accomplished by the men of old with glory, and thus educates those who come after.” The poet’s myth teaches the Ideal Type by example, not by precept, and allows the student through his imagination to participate in the past, partaking of the Ideal. Often the student is asked—paraphrasing Shelly—to go out of his own nature: to imagine himself in the sandals of some mythical or historical figure. How would you have advised the Senate, his teacher might ask him, had you been Regulus returned from Carthage with the ultimatum? (45)
Likewise in classical schools, students are often asked to play the “devil’s advocate”…. This … negates certain parts of the Ideal in such a way that the negation demonstrates the nonessential nature of these parts. …In any case, classical education eventually fills the young person’s head with the sound of voices: the impassioned debate of many great figures of myth and history concerning what is good, beautiful, and excellent in man. Through his imagination, the student participates in this dialectical confabulation, and his thoughts and actions become literally involved with the Ideal Type. The Ideal is refined, and action and thought join inextricably in the life of virtue. (47)
From Norms and Nobility by David Hicks.