From John Muir: Nature Writings (an anthology):
When we try to pick out anything by itself, we find it hitched to everything else in the universe. One fancies a heart like our own must be beating in every crystal and cell, and we feel like stopping to speak to the plants and animals as friendly fellow mountaineers. Nature as a poet, an enthusiastic workingman, becomes more and more visible the farther and higher we go; for the mountains are fountains — beginning places, however related to sources beyond mortal ken.
…I have never yet happened upon a trace of evidence that seemed to show that any one animal was ever made for another as much as it was made for itself. Not that Nature manifests any such thing as selfish isolation. In the making of every animal the presence of every other animal has been recognized. Indeed, every atom in creation may be said to be acquainted with and married to every other, but with universal union there is a division sufficient in degree for the purposes of the most intense individuality; no matter, therefore, what may be the note which any creature forms in the song of existence, it is made first for itself, then more and more remotely for all the world and worlds.
…The scenery of the ocean, however sublime in vast expanse, seems far less beautiful to us dry-shod animals than that of the land seen only in comparatively small patches; but when we contemplate the whole globe as one great dewdrop, striped and dotted with continents and islands, flying through space with other stars all singing and shining together as one, the whole universe appears as an infinite storm of beauty.
I’m reminded of Gerard Manley Hopkins in “As Kingfishers Catch Fire” where he writes:
Each mortal thing does one thing and the same: / Deals out that being indoors each one dwells; / Selves — goes itself; myself it speaks and spells, / Crying Whát I dó is me: for that I came.