Yesterday, we finished listening as a whole family to A Connecticut Yankee in King Arthur’s Court by Mark Twain. It was a car trip listen, and we drove by the Mark Twain House near Hartford while hearing the last chapter. It was my second reading, and it seemed a rather bleak double satire (on both the “old” and the “new” England) by this Mississippi River boy. The critique of old England is bitter and relentless. However, I’m not sure that Yankee New England fairs any better in the end. For example, it’s hard not to read this passage without a hint of satirical critique against the spirit of “Yankee ingenuity.”
I am a Yankee of the Yankees—and practical; yes, and nearly barren of sentiment, I suppose—or poetry, in other words. My father was a blacksmith, my uncle was a horse doctor, and I was both, along at first. Then I went over to the great arms factory and learned my real trade; learned all there was to it; learned to make everything: guns, revolvers, cannon, boilers, engines, all sorts of labor-saving machinery. Why, I could make anything a body wanted—anything in the world, it didn’t make any difference what; and if there wasn’t any quick new-fangled way to make a thing, I could invent one—and do it as easy as rolling off a log.
In the moments after the end of the book, Nessa (14 years old) said wanted to name her first baby girl “Hello Central” in honor of Sandy and her child. Nessa was really sad to think of this mother and child abandoned in the sixth century as a victim of the dueling powers of Merlin’s magic verses the Yankee’s modern science. Both kids had some very thoughtful questions about the story. Merlin’s old sorcery powers were mocked throughout, but they seemed to come out decisively ahead in the end (banishing the Yankee through time and getting a grizzly “last laugh”). Twain was a wild and tragic fellow.