Wendell Berry in The Hidden Wound. First, about his childhood caretaker and companion, Nick:
Within the confines of those acknowledged facts, he was a man rich in pleasures. They were not large pleasures, they cost little or nothing, often they could not be anticipated, and yet they surrounded him; they were possible at almost any time, or at odd times, or at off times. They were pleasures to which a man had to be acutely and intricately attentive, or he could not have them at all.
…He is yet another master of the customs of necessity, the minute strategies of endurance and of joy.
Next about another such childhood caretaker, Aunt Georgie:
I wanted desperately to share the smug assumptions of my race and class and time that all questions have answers, all problems solutions, all sad stories happy endings. It was good that I should have been tried, that I should have had to contend with Aunt Georgie’s unshakable—and accurate—view that life is perilous, surrounded by mystery, acted upon by powerful forces unknown to us. Much as she troubled me and disturbed my sleep, I cannot regret that she told me, bluntly as it needs to be told, that men and events come to strange and painful ends, not foreseen. …And no doubt because of this very darkness of cosmic horror in her mind, everything in the world that she touched became luminous with its own life. She was always showing you something: a plant, a bloom, a tomato, an egg, an herb, a sprig of spring greens. Suddenly you saw it as she saw it—vivid, useful, free of all the chances against it, a blessing—and it entered shadowless into your mind. I still keep the deepest sense of delight in the memory of the world’s good things held out to me in her black crooked floriferous hands.
For Preservation is a Creation; and more, it is a continued Creation, and a creation every moment.
From The Country Parson by George Herbert (1652 ed., chap. XXXIV) quoted in Gilead by Marilynne Robinson (111). Here are two other references to this theme by Robinson shortly afterward:
There’s a mystery in the thought of the re-creation of an old man as an old man, with all the defects and injuries of what is called long life faithfully preserved in him, and all their claims and all their tendencies honored, too, as in the steady progress of arthritis in my left knee. I have thought sometimes that the Lord must hold the whole of our lives in memory, so to speak. Of course He does. And “memory” is the wrong word, no doubt. But the finger I broke sliding into second base when I was twenty two years old is crookeder than ever, and I can interpret that fact as an intimate attention, taking Herbert’s view. 
…I always imagine divine mercy giving us back to ourselves and letting us laugh at what we became, laugh at the preposterous disguises of crouch and squint and limp and lour we all do put on. [117-118]
Two complimentary passages from The Ocean at the End of the Lane by Neil Gaiman:
I tried to pull the dream that had upset me so to the front of my mind, but it would not come. There had been betrayal in it, I knew, and loss, and time. The dream had left me scared to go back to sleep.
…Then I walked to the window and looked out. …I was almost certain it was Old Mrs. Hempstock, although it was hard to see her face properly–walking up and down. She had a big long stick she was leaning on as she walked, like a staff. She reminded me of the soldiers I had seen on a trip to London, outside Buckingham Palace, as they marched backwards and forwards on parade.
I watched her, and I was comforted.
“…Oh, monsters are scared,” said Lettie. “That’s why they’re monsters. And as for grown-ups…. Grown-ups don’t look like grown-ups on the inside either. Outside, they’re big and thoughtless and they always know what they’re doing. Inside, they look just like they always have. Like they did when they were your age. The truth is, there aren’t any grown-ups. Not one, in the whole wide world.” She thought for a moment. Then she smiled. “Except for Granny, of course.”