Jacob Marley from A Christmas Carol by Charles Dickens:
“But you were always a good man of business, Jacob,” faltered Scrooge, who now began to apply this to himself.
“Business!” cried the Ghost, wringing its hands again. “Mankind was my business. The common welfare was my business; charity, mercy, forbearance, and benevolence, were, all, my business. The dealings of my trade were but a drop of water in the comprehensive ocean of my business!”
Mr. Fezziwig from the 1951 movie A Christmas Carol starring Alastair Sim:
It’s not just for money alone that one spends a lifetime building up a business, Mr. Jorkin…. It’s to preserve a way of life that one knew and loved. No, I can’t see my way to selling out to the new vested interests, Mr. Jorkin. I’ll have to be loyal to the old ways and die out with them if needs must.
Dickens had in his buffoonery and bravery the spirit of the Middle Ages. He was much more mediaeval in his attacks on medievalism than they were in their defences of it. It was he who had the things of Chaucer, the love of large jokes and long stories and brown ale and all the white roads of England. Like Chaucer he loved story within story, every man telling a tale. Like Chaucer he saw something openly comic in men’s motley trades. Sam Weller would have been a great gain to the Canterbury pilgrimage and told an admirable story.
…It would be hard to ﬁnd a better example of this than Dickens’s great defence of Christmas. In fighting for Christmas he was ﬁghting for the old European festival, pagan and Christian, for that trinity of eating, drinking and praying which to moderns appears irreverent, for the holy day which is really a holiday. He had himself the most babyish ideas about the past. He supposed the Middle Ages to have consisted of tournaments and torture-chambers, he supposed himself to be a brisk man of the manufacturing age, almost a Utilitarian. But for all that he defended the mediaeval feast which was going out against the Utilitarianism which was coming in. He could only see all that was bad in mediaevalism. But he fought for all that was good in it. And he was all the more really in sympathy with the old strength and simplicity because he only knew that it was good and did not know that it was old. He cared as little for mediaevalism as the mediaevals did. He cared as much as they did for lustiness and virile laughter and sad tales of good lovers and pleasant tales of good livers.
From G.K. Chesterton’s book on Dickens.